Thursday, 30 August 2012
I just have to introduce you all to someone very special. See the man in the picture above that you're currently swooning over (don't even try to deny it) - his name is Max Wallis. He just so happens to be an incredibly talented poet and a model! Brains and beauty - some people have it all!
Whenever I confess my love of literature to those with a similar passion, I'm often asked to list my favourite authors and poets. When I mention e. e. cummings and Pablo Neruda, people nod knowingly. When I mention Max Wallis, I am greeted with blank faces, dismissive 'never heard of him's and perplexed 'who's that?'s. This upsets me greatly. Max's words are so beautiful I want to share them with everyone I meet. So, if you're lucky enough to have stumbled across this post, I'm going to share them with you. They're bound to make your day a little brighter.
It’s winter-turned lips that were kissed to warm them.
It’s shedding reservoirs through tiny tear ducts
and how I never saw you cry.
It’s ice, the not-so-nice,
and the colour of found-out-lies.
It’s depth, so, so much depth and deep
where we kept treasures
and all our insecurity.
It’s the security of being alone
and having no one else to rely upon.
It’s not always cold but rich cupcake icing
Food colouring. Smarties and all their e-numbers;
wax crayons melted down in the pan in the oven.
It’s waves, sea, royal and navy
school jumpers aged eleven-to-sixteen
It’s old-young boxers before I knew what sex was
before I gave a toss
or tossed off.
It’s the colour of remembering
how we feel
when we’ve stopped loving
and can’t stop wanting.
It’s the meaning of emptiness
and the emptiness of meaning
it’s believing in nothing but hoping
and having no hope in believing.
It’s the subtler flecks
that make and etch your eyes.
Ironically, I find it difficult to put my admiration for Max's poetry into words. Suffice to say, I adore him. And you should too.
If you liked my little teaser, you can find a lot of Max's poems at http://www.somethingeveryday.co.uk/
His book, Modern Love is currently only £4 on Amazon, or £2.70 for the Kindle edition! Find it here.
Friday, 24 August 2012
Hello everyone! Remember me?
I've been absent from the blogging world for a week or two and I'm sure you have all been racked with anxiety over my disappearance (ahem). But fear not, dear reader, I am safe and well. I have merely been off enjoying the final few weeks of my last ever student-length summer holiday which has flown in even quicker than usual with the prospect of The Real World looming ahead of me at the other end! I have been on countless adventures, but there is one in particular that I wanted to tell you about.
Last week The Boyfriend and I journeyed to Edinburgh to explore the city that I am soon to call home (2 weeks tomorrow, yikes!). Edinburgh is a beautiful city and has always held a special place in my heart and it was great to take the time to remind myself of all the reasons I adore Edinburgh and discover a few new ones at the same time. My excitement about moving there has increased tenfold since our trip. Summer decided to visit Scotland that day and we were blessed with warm sunshine and not a drop of rain - although I have to admit, I love Edinburgh best on overcast days. There's something about a steely grey sky and rolling dark clouds that really sets off the dramatic splendour of the castle on the rock. We rifled through the vintage shops on Cockburn Street and tried to resist the temptation to invest in ridiculous paisley pattern silk shirts; we strolled up the Royal Mile enjoying the street performances and all the spectacles of the Fringe festival; we behaved like five-year-olds in the Camera Obscura, giggling as the Morph Machine merged our faces together and transformed us into old people, apes and babies; we gorged ourselves in the Hard Rock Cafe; and we explored the tents of the Edinburgh International Book Festival.
The Book Festival was the motivation behind our trip. We had tickets to see Jon Gray and Jamie Keenan discussing their theories of book cover design in the Peppers Theatre tent. Cover design is one of the aspects of publishing which interest me the most and Jon and Jamie are breathtakingly talented artists. They discussed the 20 theories of cover design which they employ to attract readers to books whilst demonstrating with a slideshow of examples of their own work. Unfortunately the tent the presentation was held in was swelteringly warm and Jon and Jamie were limited by a strict schedule which forced them to rush through many of their points, but their talk was informative, humorous and enjoyable nonetheless. It may sound strange, but it actually never occurred to me before when admiring the images on my favourite book covers that the designer may have actually created the objects captured in those images him/herself. I found it particularly interesting to hear Jon and Jamie's stories of not only the idea that sparked a cover design but the process of making it a reality: for example, for the cover of Bright Shiny Morning by James Fray, Gray actually had his handwriting made into the lights we see on the book cover. There is an article on the Guardian website which explains each of Gray and Keenan's 20 theories of book cover design in a far more concise way than I ever could, so for anyone who is interested you can find that here. I am simply going to show you some of my favourite book covers by Jon and Jamie, because in spite of all the theory behind them, I think they speak for themselves.
Can you work out which of the 20 theories Jon and Jamie used to create each of these covers?
Tuesday, 7 August 2012
When I tell people "I've loved reading all my life", I really mean it. I was lucky enough to be born into a family of avid readers who were always eager to share their love of literature with me. They read to me when I was too young to speak or even comprehend language. I almost shocked my mother into crashing the car when I came out with my first complex sentence at 18 months old ("It's a poor shame for my wee daddy, away on the bus") and I believe the effort they made to read to me at a young age encouraged my speech to develop so early and sparked a passion for literature which would last a lifetime. Books provide me with an unrivalled source of wisdom, inspiration, pleasure and comfort and I cannot thank my parents, aunt and uncle enough for introducing me to them. To this day, I still appreciate the beauty, fun and exquisite joy contained between the covers of children's picture books and my old favourites still hold a special place in my heart (I think my poor parents can still recite them word for word!). As I don't have any very young siblings, little cousins or nieces and nephews to shower with picture book presents, I thought I would share some of my favourites on my blog in the hope that I inspire someone else to gift a child with the pleasure of a really good book.
Peepo! by Janet and Allan Ahlberg
Beautifully illustrated, like all Ahlberg books, Peepo! is based on Allan Ahlberg's own recollections from his early childhood and tells the story of a day in the life of a baby. Holes on each page peek through to the next, keeping children engrossed and entertained whilst enabling them to see events from the baby's perspective. His father sleeping late, his mother making breakfast, his older sisters out playing: daily events that all children are familiar with are infused with the imagination of childhood. The repetitive rhyme of the narration allows children to participate in the "reading", whilst the descriptions of what the baby sees encourages them to spot individual details within the busy illustrations. Recommended for children aged 0-3. Find it on Amazon
Mog and Bunny by Judith Kerr
I would recommend all of Judith Kerr's Mog books, but I think Mog and Bunny was the first one I ever "read". Mog is an adorably endearing absent-minded cat, who is "nice but not very clever" and looks remarkably like my own feline friend. Any child with a love for animals or a beloved pet will relish the opportunity to imagine life from a cat's perspective as they follow Mog's misdeeds and adventures. What I admire most about the Mog books is their refusal to shy away from serious topics. Although I was much too old to be reading Mog books by the time the final book in the series, Goodbye Mog, was published in 2003, I was nonetheless saddened to hear of her demise. The numerous books in the series enable to children to develop a strong affection for Mog, so Kerr's decision to depict her death was a brave one. For many children, the loss of a family pet is their first experience of death and Kerr admirably makes this difficult topic accessible and comprehensible to children. I struggled to find an age recommendation for the Mog books - one website suggests 3+ but the language and sentence structure are quite simple and I'm sure my parents started reading the books to me when I was about 2. As with everything else, I suppose it depends on the child. Find it on Amazon
Katie Morag and the Two Grandmothers by Mairi Hedderwick
The Katie Morag books are another series I adored and Katie Morag and the Two Grandmothers was always my favourite - I thought Granma Mainland was the most glamorous woman in the world and she looks a little like my own Granny who died when I was four. The books are set on a fictional island off the west coast of Scotland and depict life in a small and rather isolated community, but they have been translated into various languages and it pleases me to think that these little Scottish books are being enjoyed by children across the world. With labelled pictures of the small island, the books really provide children with a sense of the setting and enables them to enter into Katie Morag's life on a small island. Feisty Katie Morag is an excellent character for a children's book: far more endearing and relatable than demure fairytale princesses. And whilst scanning the wikipedia page for the Katie Morag books to refresh my memory, I discovered that Katie Morag's Grannie Island 'was widely hailed, as for example "a positive image, a celebration of the strength of women, and a challenge to gender stereotyping"'. The author, Mairi Hedderwick, visited my school when I was in primary one, and though I don't recall a single word she said, I believe that was the first time I realised that you could create books as a job - and now, through publishing and someday through writing, I plan to make that job my own. So thank you for everything, Mairi Hedderwick. Recommended for children aged 3+. Find it on Amazon
Angel Mae by Shirley Hughes
My aunt gave me Angel Mae when my mum was pregnant with my younger sister. Part of Shirley Hughes's Tales from Trotter Street series, Angel Mae is the story of a little girl who experiences conflicting emotions regarding the imminent arrival of her new baby sibling, whilst dealing with the added pressure of performing the important role of the Angel Gave-You (Gabriel) in her school's Nativity play. Hughes's illustrations are beautiful and her subject matter is an important issue in the life of many children: how to deal with the arrival of a younger sibling. Hughes does not trivialise the child's experience: she recognises that children experience stressful events just as adults do. Recommended for children aged 3+. Find it on Amazon
The Jolly Postman (or Other People's Letters) by Janet and Allan Ahlberg
Another Ahlberg book. They're so brilliant, they deserve to be on the list twice. The Jolly Postman may well be my all time favourite book for younger children. The book is narrated in (often humorous) rhyme and it tells the story of a jolly postman who is delivering letters to various fairytale characters. The Ahlbergs play with media by incorporating the letters into the book - six pages take the form of envelopes containing actual little letters! Children can really participate in the story as they handle and read the letters for themselves, with the added fun of recognising their favourite fairytale characters. Recommended for children aged 2 - 6. Find it on Amazon
Maisie goes to Glasgow by Aileen Paterson
Another series of books about a tabby cat - this time a Scottish one. I don't know how familiar the rest of the UK is with the Maisie books but if you've never read one you're missing out! The stories are about the adventures of a kitten called Maisie who lives with her Granny in Morningside in Edinburgh whilst her daddy is off exploring the world. Unlike Mog, Maisie is a cat with human characteristics - indeed, the whole world seems to be populated with cats instead of people. The stories are detailed and entertaining and the illustrations are captivating. For a Scottish child, there is the additional enjoyment of recognising the places Maisie visits and seeing them in a new light, infused with child-like imagination. I can't find an age recommendation for this one at all - I'd suggest 3+ or maybe a little older. Find it on Amazon
Which picture books hold a special place in your heart?
Wednesday, 1 August 2012
I've been drooling over the countless photographs of printed page nails floating around the blogosphere for quite some time and today I finally plucked up the courage to try to create my own. Every time I glanced at the instructions, I thought to myself "that cannot be as easy as it sounds!". But I wouldn't lie to you folks: it's as easy as it sounds! This was my very first attempt so my nails turned out a little messy but I think I've mastered the technique now so they'll hopefully turn out better the next time.
- Pale nail varnish
- Several small cuttings of text from a newspaper
- Alcohol - I used gin. I'm told you can even do it with mouthwash!
- A clear top coat
- Cotton buds and nail varnish remover
How to create your own printed page nails:
1. Paint your nails with a pale base colour.
I chose white, but as you can see from the pictures above, other pale colours such as light grey and beige work well too. I think they would look nice with a pastel shade if you fancy something a bit more colourful - as long as the colour is pale enough to make the printed words stand out. Often, pale nail varnishes don't provide a solid, opaque colour on the first coat so it may be necessary to apply two to achieve the desired effect. Oh - and if you're sensible (I'm not), you might want to apply a clear base coat before applying the nail varnish to protect your nails.
2. Dip your nail into the alcohol and keep it immersed for about five seconds. Then press a piece of newspaper firmly against your nail and hold it there for about fifteen seconds. Learn from my mistakes: make sure the newspaper covers the whole of your nail or the printing will be uneven and try to hold it as still as possible to prevent smudging. When you peel the paper off your nail you should have your printed page effect.
3. It's important to apply a clear top coat to prevent the print from smudging or rubbing off your nail. Clear up any excess print or nail varnish that has strayed onto your fingers using a cotton bud dipped in nail varnish remover.
Ta-da! enjoy your printed page nails...